Growing

Growing Theologically

The primary work of leading worship is not musical, it is pastoral. Even the regular rhythms of our week, choosing songs, building set lists, leading rehearsals, communicating with team members, working with a pastor, and leading during services, are primarily about shepherding people. If the primary work of leading worship is pastoral more than musical, our preparation and development should represent a desire to be shaped theologically and pastorally. It is easy to be tempted toward musical ability at the expense of theological depth. I do not believe these realities need to be mutually exclusive. But it will require an investment of time and intentionality. If you would like to grow theologically but are unsure where to begin, here are a few things to consider:

Relationships. Who are the people within your community, church, and relational sphere who are deep, wise, Godly people? Pursuing those people with intentional questions about their knowledge and understanding of who God is and what He has done, as well as resources they would recommend is a great place to start.

Free Resources. Many of my favorite writers, publishing companies, seminaries, and parachurch organizations offer material for free online. Reformed Theological Seminary posts all of its courses for free here. Sovereign Grace Music also offers a Worship Matters Video Intensive for free here. Glean from the edges and margin of your life with a few of these free resources.

Give regular time. Ultimately we give time to the things we value. Even 20 minutes of reading, one online class, or a single coffee meeting can help stretch, grow and develop our theological muscles.

Let the secret place be wider and deeper than the public platform. Jesus was often going away to a quiet, desolate place to pray and be with His Father. With such visible and public roles, we need to make sure that we are spending time cultivating our own relationship with God outside of what we do for God.

Songs For The Season

They say, “Write what you know.” And for the most part, everything I share on my website is things that I have learned and feel that I can grasp with enough familiarity to share. Today, I want to share something I am learning in real-time.

Songs are important. I care deeply about the new songs we choose, as well as the way we introduce those songs to the congregation. I care deeply about the canon of songs that make up our master song list, as well as the way those songs shape our theology of God and the Gospel. I care deeply about whether our songs are purposed for personal devotion, or corporate worship because all songs are prayers. I even believe there are guiding principles that can help us determine what is a good song.

But what I am learning in realtime, is that there are songs for seasons.

I read an article in Worship Leader Magazine last month titled, “Worship At The Speed of Sound.” In it, WLM published the findings of a team of researchers who had studied the lifespan of corporate worship songs registered with CCLI from 1988 to 2019. The researchers had a hunch that the creation, distribution, ascent, and decline of a corporate worship song has increased rapidly over that time period. And understandably, they were correct. Social media, online distribution, ‘worship artists,’ conferences, touring, and radio, were all contributing factors both in the number of songs available, as well as their availability.

Some songs have staying power - think of many of the hymns that have been passed down through the ages or songs like Chris Tomlin’s “How Great Is Our God.” Some songs cut through the noise for a season, and all but disappear - one such song cited in the research is Jesus Culture’s “Fierce.”

I truly believe that the bulk of our diet when it comes to song choice should be songs that have staying power. Songs that ring with resonance in different seasons and stages of our lives. Songs that are sung in the hospital room, at the altar, and during the midnight hour as a parent rocks a child to sleep. But what I am learning is that there are songs for seasons. Songs that are still good, beautiful, and true. Songs that capture a moment in the life of our churches - both locally, and globally. These are the songs that we will look back with sheepish affection, and fondness as we are reminded of the Spirit’s movement in our lives and histories. These are the songs for the season.

What have been songs for the season in your life?

Dynamics

I have had the opportunity to lead in many different settings. Large churches, and small churches. Higher church liturgy, and lower church spontaneity. I have served with professional musicians, and those who had only recently picked up an instrument. One of the things that I have observed as having the biggest impact on the quality of the musical production regardless of the location or skill level is the intentionality of dynamics.

I believe that it is not what we play or sing, but what we do not play or sing that makes the dynamic difference.

A musician will play. A vocalist will sing. What I have noticed among worship teams is that people often feel confused, or not useful if they do not play and sing from the very start to the very end of a song.

As worship leaders, we need to be able to coach our teams to understand how to lead in silence as much as in their playing. Our teams can lead in their silence by learning to lead off the platform, but also in their presence and posture when it is not their ‘part.’ Encourage your team to sing along, be at worship, listen intentionally as the worship leader guides and directs the congregation. I have often felt more intentionally led by musicians and vocalists leading in their silences than by the primary worship leader.

But what about leading in our playing and singing? How do we create movement, tension and release, builds and drops, particularly for those churches who are serving with smaller, or less experienced teams? Percentages. One of the sound guys at my church was a band director in a former career. He started suggesting to me that instead of saying ‘build and drop,’ or ‘big and quiet,’ or even using the classical musical terms, we started coaching our team in percentages. If we want the bridge to be the loudest part of the song, that would be 90% or 100%, and the chorus being the second loudest part of the song would need to be in the 70% to 80% range. If we are looking to incorporate a dynamic drop without going completely acapella, maybe the band goes to 10%. This kind of language has been so helpful for our team in being able to identify the higher dynamics in contrast to the lower dynamics both within a song, but also across the setlist.

If you’re struggling with every song sounding the same, and no movement in dynamic range, try using percentages as a way to lead your team to listen for dynamics. Much of this will begin with the worship leader thoughtfully and intentionally leading the team through rehearsal. Here are some ideas on how to run a rehearsal.

Connecting Songs and Sermons

There is a critical 90 seconds every Sunday morning. That sliver of time between the end of the sermon, and the song. Part of our role as worship leaders is to connect what happens on a Sunday morning with all of life. To make sense of what we have heard in the Word preached, to fuel our worship in song and response. But many worship leaders struggle to feel competent and capable when it comes to speaking and communicating verbally to the congregation. If you struggle with knowing how to take advantage of those moments to hit home with the pieces of the sermon, and connect them to the songs of response, here are some suggestions:

Listen to the sermon. Be present and engaged, even taking notes of things you want to remember personally, and want to communicate to the congregation following the sermon. Don’t use the sermon as a time to check out mentally, or physically.

Read the text beforehand. Spend time in the particular Scripture passage being taught in your own time of preparation for Sunday morning. What do you see? What do you notice about who God is, what He has done, and how He has called us to live?

Speak with the preacher. Find out where the preacher is headed for the weekend. What are some of the main points? Any additional passages they will be using? How are they wanting to land the sermon? What is the one thing they hope people remember and take away from the weekend?

Connect everything to Jesus. Read the Jesus Storybook Bible. Sally Lloyd Jones does an amazing job of connecting every story to Jesus. How does the sermon/text and the morning point our lives, and lift our eyes to Christ?

Plan beforehand. After speaking with the preacher, and spending time in the text, and considering your final song(s), write down some thoughts about how you could connect the songs and sermon verbally. Practice speaking out loud to get used to hearing yourself connect and communicate in that way.

Write it down. As you continue to grow as a verbal communicator, write everything down. You can manuscript what you want to communicate so that you don’t miss any part of what you intended to say. Reading something that is written, will help to build confidence and familiarity, rather than trying to hold everything in your mind, and stumbling over your words.

Remember there is grace as we grow. Let’s not miss the opportunity to take those critical 90 seconds and point people to Jesus.